If I could describe it, I'd mix 3 different experiences I've had into one. It was a little like a Japanese horror film, in that the costumes and set design were extremely strange and unworldly. This performance included characters covered in talc powder, dressed in school-girl uniforms, men covered only in a minimal G-string, hanging ropes that served as meat hooks, Poki sticks, all moving and dancing like insane, or perhaps near dead entities from another world. There was little conversation, which I was relieved to find because I was given the same chance of figuring out what was going on as the next Nihon-jin in the theatre.
It also reminded me of the pretentious, yet amazing performance art productions I used to visit during my days at Berkeley. Those art majors were some serious freaks, and I saw a performance that was strangely similar of girls dressed in white, slowly dousing themselves in black ink while pretending to be birds. The third image that this play invoked in me was something straight out of Endgame, by Beckett. The story line seemed discontinuous and absurd, yet simultaneously having the audience completely understand this other world they presented.
My last comment will be on the musik. It was awesome. It was a fusion of traditional Japanese musik box ongaku, and electronicky melodies that would be great to listen to on your ipod while riding on the train. It totally made the play. The digressions from playful and melodic to dark and terrifying made me want to join the dead and insane and make my own Butoh play. I liked it.
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